To download the files:
drive.google.com/file/d/1s5bcBLPGUskEses5rw_ujDaGw6e3CQ1j/view

Another review of this multi platform advanced synthesizer...

To read it go here:
www.xlr8r.com/reviews/review-imaginando-drc-synth

Love Virtual ANS and am a big fan of Mr Nigthradio but... 
He did use Virtual ANS for some techno some time ago and like this it does not really work but the result are interesting in either case... 
It is hard to get beats prominent with the synthesizing method used in Virtual ANS which is hindering any beat heavy music to be fully realized in a satsfactory manner...
But as there was some time since Virtual ANs got mentioned on this site and if you missed this app there is a big recommendation to check it out as it is one of the truly unique apps on the Playstore!

Hmmm....
Must use this magic trick for coping with crying babies!

Here is what is said:

​​When we found our winners for the first round of contests in last month, we were so stoked at the incredible original tunes and talents we have on BandLab. Take it from us – it wasn’t easy picking the winners. You can listen to September’s winning entries here.
Watch this space for the best of October’s entries – we’ll be announcing the winners soon.
In the meantime, we’re kicking November off with two new contests. Why don’t you hit us with your best shot?

​Contests This Month

1. 
   
2. #NOVEMBERNOISE
3. Publish any original track with the hashtag #novembernoise and stand to win $500! Tracks will be shortlisted by number of plays and winners subsequently selected by a BandLab panel of judges.
   Entry Period:  1st November 2018 to 30th November 2018
   Prizes: 1st: 500USD per entry
   2nd – 4th: 100USD per entry
4. 
   
5. #HOTCOLLABSPublish or any original collaboration with a BandLab artist or as a band using the hashtag #hotcollabs and stand to win $500! Tracks will be shortlisted by those with the most number of plays and then winners subsequently selected by a BandLab panel of judges.
   Hint: “More” isn’t always merrier. 
   Entry Period: 1st November 2018 to 30th November 2018
   Prizes: 1st: 500USD per entry
   2nd – 4th: 100USD per entry

​Play nice and happy collaborating!
*Scroll down for full Terms and Conditions.

How we pick the winners
A judging panel from the BandLab team will select the winners.
The judges’ decision will be final — and will be based on plays and artistic merit so get creative and make sure to promote it to get others to listen!
You can enter as many times as you like with different tracks, so long as they are published for the first time during the competition period.

How do I win?

1. Publish a track on BandLab. You can use any device — iOS, Android or web!
2. Tag it with the competition hashtag in the song description and your track will automatically be entered.

BandLab is FREE to use, you can sign up here, or download BandLab on your iOS or Android device.

FYI: Your entry has to be published for the first time during the competition period. If you have a private track created before the entry period that you would like to submit, you can do so when you publish it – but unpublishing an older track and republishing it will not work. Editing an existing song’s description with the hashtag doesn’t count either!
Submissions don’t need to be created during the entry period, just published for the first time – so even if the contest hasn’t started yet, you can prepare your tracks now to make sure you have a head-start when the contest opens!

Contest Terms and Conditions

The #novembernoise and #hotcollabs Music Competition (the “Competition”) is organised by BandLab Singapore Pte Ltd.

1. Participation in this Competition is subject to the terms and conditions set out herein, the Terms of Use of the Website, and such other rules, regulations and procedures prescribed by BandLab in relation to this Competition. Non-compliance with or breach of any of such terms, conditions, rules, regulations or procedures shall immediately disqualify the participant from participating in the event, and any prizes won shall be forfeited, withheld or withdrawn.
2. The Competition is open to anyone worldwide, except employees of BandLab, sponsoring companies and their agencies, and their immediate family members. Contestants must be 18 years old and above.
3. The Competition is open to individuals. By submitting an entry, each participant a) warrants that all his/her personal information provided in the submission is true, correct and complete, and that he/she is not assuming a false identity and b) accepts and agrees to the BandLab Terms & Conditions and BandLab Privacy Policy.
4. Competition starts on 1st November 2018 (UTC +8). To enter, each participant in the Competition must submit a published revision (Revision) with the appropriate hashtag in the description to the BandLab Community. Multiple submissions per participant are welcome. Each Revision must comply with the following requirements:
   
   
   1. Published for the first time during the competition period
   2. Have the appropriate hashtag in the description
5. 
   
6. Each participant warrants to BandLab that all works used in their submission are (a) original works of the participant, (b) works in the public domain and/or (c) third party owned works which are authorised or licensed for use and reproduction by BandLab in the manner set out in paragraph 14 and elsewhere in these Terms and Conditions. Each submission must clearly and separately indicate or cite the sources of copyrighted materials, if any, used in the creation of the Revision, according to the defined parameters of the territory that submissions containin copyrighted materials are uploaded from. Participants must clear the rights to use any copyrighted works in their submission. Each participant hereby indemnifies BandLab Technologies and its related companies, officers, directors, employees, agents, representatives, partners (“BandLab Technologies Entities”) against any loss or damages suffered by BandLab and/or any of the BandLab Entities arising from any third party claims against use of the participant’s submitted Revision.
7. BandLab reserves the right to reject any submission it deems inappropriate in its sole discretion at any time without informing the participants.
8. Online submission starts from 1st November 2018, 0001 hrs (UTC +8) and ends on 30th November, 2359 hrs (UTC +8).
9. A BandLab panel of judges will pick 4 winning entries. The participant submitting each winning Revision will be notified via email by 17th December 2018. Members of the public will be able to cast their vote by listening to the Revisions on BandLab until 31st October 2018, 2359 hrs (UTC +8).
10. The Competition prizes each entry will be: 1st: 500USD; 2nd – 4th: 100USD. The prizes shall only be paid out to Contestants who qualify to participate meeting all requirements here and elsewhere in the Terms and Conditions. In the event of any claims for copyright infringement against BandLab as a result of the winning Revisions posted to BandLab, BandLab reserves the right in addition to any other available remedies to forfeit the entire prize or to deduct any damages/losses payable from the prize, at its sole discretion.
11. All decisions made by BandLab in relation to this Competition are final and no enquiries, appeals, verbal or written or any other correspondence will be entertained. The participants agree to accept and abide by all decisions made by BandLab.
12. No obligation will be incurred by BandLab by reason of participation in this Competition or by reason of anything done or omitted to be done by the participants as a result of or on account of this event.
13. Each participant agrees that your personal data may be used by the BandLab Technologies group of companies to send him/her marketing and advertising materials in relation to goods and services of BandLab and its business partners, and for research and analysis. If any participant has any questions relating to BandLab’s collection, use and disclosure of his/her personal data, please contact BandLab’s Data Protection Officer at privacy@bandlab.com.
14. Each participant hereby irrevocably and unconditionally grants BandLab Technologies all consents and waivers necessary to record, use and publicise the participants’ name and other particulars, photographs, performance, appearance, likeness and/or voice (as the case may be) in any manner as BandLab Technologies shall in its sole discretion deem fit. Each participant acknowledges that BandLab Technologies shall be at liberty to publish and otherwise use any recordings made by the participant, including without limitation telephone recordings, audio recordings, visual recordings and photographs (if any), for promotional and publicity purposes (whether now or in the future) or such other purposes as BandLab Technologies may deem appropriate.
15. Participants shall not grant any interviews or discuss with any member of the press or other media his/her participation in the Competition, without first notifying and obtaining the prior written consent of BandLab.
16. BandLab reserves the right to change, amend or add to these terms and conditions without prior notice. BandLab further reserves the right, without any liability on its part whatsoever, to cancel, postpone, terminate, suspend or in any other way cease this Competition at any time without prior notice.
17. Each participant expressly acknowledges and agrees that BandLab, its related/affiliated companies and their respective officers, employees and agents shall not be liable to any of the participants for any claim, liability, damages, cost, loss or expense whatsoever or howsoever caused arising directly or indirectly in connection with his/her participation in the Competition, or arising from compliance with these terms and conditions.
18. These terms and conditions and this event shall be governed by and construed in accordance with Singapore laws.

If there is a love for synthesizer tones this new album should be checked out as the music is top notch and of course extra interesting as being mostly made using Caustic.
Can imagine that a lot of the Modular in Caustic have been used...
​
Hope that the album garner more attention as it deserves it!

This can be fun for getting some unpredictable but good ideas going...
Got a serious Beatles Number nine vibe to some of the things.

The video by Soundtestroom are using the iOS version so some of the things shown are not of importance for the Android version.

Google Play:
play.google.com/store/apps/details?id=cc.openframeworks.ofxFluxlyAndroid

Fluxly is a new type of sonic game, a musical physics looper.

Fluxly is a musical electronic sampling synthesizer where you create new instrument scenes by moving and spinning colorful Fluxum sound sample players. A built-in 2D physics engine brings a whole new approach to knob twiddling and sound making. 

You can choose from a bank of built-in sound samples, or record your own samples and play them back in either direction at any speed. By touching two Fluxum and pushing them together you can link them into looping gear train machines. You can also enable movement and let the physics engine take over as the Fluxum bounce around the instrument for random sonic fun.

Recording can be done right in the app, and sample loops can be up to about 10 seconds long. You can also customize all of the sounds in Bank 1 by using filesharing features of your phone or tabley to upload any sound samples from your computer.

Fluxly was created by artist Shawn Wallace, who is also part of the Fluxama art collective that has created the apps Noisemusick and DR-OM. Fluxly is open source software and was built using openFrameworks, Box2d, libPd and Pure Data. See more at fluxly.com.

Downloadable file:
drive.google.com/file/d/1xmfuYtI1q_Cy8W6UNebDph9ucCF9gQqs/view

Do not want they are thinking... They really are the ones that can compete with iOS and Garageband but throw it all in the river... why?
My own reflections are that they hired the wrong people for the project.
This based on the low energy of the representative I spoke to when Soundcamp got started.
No energy at all.
There was bugs and when asked about them he just admitted it, which is nice showing honesty but not saying for example, yes but they will be fixed soon and here is our plan for the future etc.
The only publicity made and developed the last years have been for the least interesting part of Sound camp, that god damn looper crap.
This whole thing is phucked as it is now wthout bugs and even if some 3rd party developers abandoned the project (probably because Samsung themselves did not show any interest) there is some real cool things in there.
I like that it is possible to get Sugarbytes Unique synthesizer and WOW filter for free, which are both excellent. Plus some other interesting paid synths.
There is also a lot of other effects etc that is possible to download for free...
It is a pity that Samsung did not use more of their resources to develop their own apps and functions to a bigger degree as it is not like they do not have the resources to push the envelope!

So the good news are that Google is finally developed a low latency solution (Oboe) and that
n-Track Studio that have enough resources and experience are getting Audioroute going with interconnection between apps.
Both of these open for the whole eco system of Android, with the exception of older devices (and probably very cheap devices).
So even if Samsung threw away their oppurtunity to lead in Android audio there is a very exciting new year for Android music makers! 

P.S Thanks to @davebelling on Twitter for making me aware of this...

Bandlab the collaborative app/program are getting more and more active and expanding...
After getting Sonar/Cakewalk that was going to be discontinued from Gibson, they have aquired the two magazines Music Tech and Guitar Magazine.
Anyway if missing the news that Cakewalk/Sonar went free it is big news and now there is two free professional DAW´s to look into. The other one being Tracktion 7.
The differences being workflow and that Tracktion is not actively developed.
To get Cakewalk it is necessary to sign up for Bandlab but it does not seem that they molest you with spam or other craziness.
It cost I think around 400 monies just some months ago!
And the last update is a pretty big one...

To read more and for download:
cakewalk.bandlab.com/